Table Of Content
Generous windows at street level give the public a glimpse of the scenery workshop activities, and with eight connected art projects, making it one of Norway's largest public art projects, visitors are invited to awareness and engagement. The National Opera and Ballet in Oslo is also one of Norway's largest public art collections, featuring eight art projects and seventeen artists. The walkable marble roof is designed by the artists Kristian Blystad, Kalle Grude and Jorunn Sannes, while the textile stage curtain was created by visual artist, Pae White. The perforated cladding in the lobby for the bathrooms was designed by the artist Olafur Eliasson.
Why you should visit the enchanting Oslo Opera House
Marble also covers the roof, proudly guarding a series of floor-to-ceiling glass walls. Before construction, tons of heavy metals polluted the fjord, a leftover from its days as a dry dock and industrial harbor. Much of this pollution was removed and the rest contained at bedrock before construction began. The site is now rich with bird life and the building has reconnected city inhabitants with the water’s edge.
architecture in norway (
The solution was to use glass fins where minimised steel fixings are sandwiched inside the laminates. The requirements for the glass's stiffness increased due to the desire for large panels and slim joints where the panels meet. Thick glass of this sort tends to be quite green rather than transparent. It was therefore decided that the façade of the operahouse would use low iron glass.
Walk the Roof
A marble clad plaza leads the visitors to the foyer and other public areas. A secondary entrance on the north façade gives firect access to the restaurant and foyer. To the south, the foyer opens up to the inner oslo fjord and views of Hovedøya island.
Oslo Opera House, Architecture by Snohetta
The main entrance to the Oslo Opera House is through a crevasse beneath the lowest portion of the sloping roof. Clusters of slim white columns angle up, branching toward the vaulting ceiling. The architects at Snøhetta worked closely with artists to integrate details that would capture the play of light and shadow. The building’s design has earned it several awards, and it is today protected by the Norwegian Directorate for Cultural Heritage. It is a building meant to be easily accessed by the public, as a gift to the people, which is why the entrance bridge is open 24/7. But by design the piece shifts and moves with the tides and wind, presenting different faces to the viewer.
Opening hoursAccessPurchasing ticketsDisability accessInside the Opera House
There are many must-see landmarks around the city, many located along the rapidly-developing waterfront. Access to recite faces the sea and get to it by a large white stone ramp and a number of textures that make it an important element of the building while giving it identity and dynamism. The diversion of heavy traffic through a tunnel built under the fjord and the future connection with life and animation of the new part of the city soon will give a greater sense of urbanity.
This works well as a neutral background to the opera's colourful costumes and stage elements which enliven the spaces.The colour palette is therefor quite simple and neutral. The open courtyard forms a central reference point to the production areas and the corridors which encircle it are given a dark colour to make orientation easier. The rehearsal rooms have different characters for ballet, opera and choir.. The ballet spaces are light and airy with views over the fjord to the south. Whilst the choir space is more introvert with daylight from a high clerestory window facing east. In the foyer the public is met by a light, open space with a large, undulating oakwood wall.
Walk on the Roof of Oslo Opera House!
Alan Lucien Øyen: Nothing Personal - Oslo - Operaen.no
Alan Lucien Øyen: Nothing Personal - Oslo.
Posted: Mon, 27 Nov 2023 23:20:51 GMT [source]
As the workplace of more than 600 ballet and opera professionals, Oslo Opera House is a vibrant and bustling place, with rehearsals, performances and a range of public events taking place here every week. Many internationally-acclaimed artists from all over the world have performed at the incredible Oslo Opera House. If wood and glass dominate many of the peripheral public spaces, stone and water inform the interior design of this men's restroom.
The dark grey colur palette is a clear contrast to the light stone and aluminium of the building itself within a cool monochrome language. Landscaping of the surrounding areas has been designed in collaboration between Snøhetta and Bjørvika Infrastructure who have been responsible for the planning of the street around the operahouse. Oslo Opera House features eight arts projects in which 17 different artists were involved. Other artworks not integrated into the architecture include Monica Bonvicini’s sculpture She Lies, anchored in the waters of the harbour outside the Opera House. The roof of the building angles to ground level, creating a large plaza that invites pedestrians to walk up and enjoy the panoramic views of Oslo.
There is also a basement level - U1 - below this part of the building. The high glass facade over the foyer has a dominant role in the views of the building from the south, west, and north. Early in the project it was realised that this glass faced was more important than previously assumed, both during the day and night when it would act as a lamp illuminating the external surfaces. It was the architects intention to design a glass construction with an absolute minimum og columns, framing, and stiffening in steel.
In winter, the white marble mimics the slabs of ice which fill up the fjord. Snøhetta, the Norwegian architects responsible its creation, wanted a space which appealed and belonged to everyone. The Norwegian National Opera and Ballet by Snohetta is the foundation for a sweeping urban renewal of Oslo's once-industrial waterfront Bjørvika area. The high glass windows designed by Snøhetta offer public views of ballet rehearsals and workshops, counterpoint to the neighboring construction cranes.
The museum is the last step in a new waterfront cultural area that includes the opera house and new library building. A giant sculpture by Tracey Emin has become a landmark in itself outside the museum. The bold, modernist new Munch Museum was the brainchild of architecture firm Estudio Herreros and is considered one of Norway’s most controversial new buildings. Some Oslo locals and politicians consider the perforated aluminum exterior and tilted top floors to be not in keeping with the rest of the waterfront area. State events and ceremonies take place here throughout the year including on Norway’s Constitution Day when the Royal Family greets thousands of local schoolchildren.
Part of the building is formed within a rational, factory-like setting. The Opera has three theaters and a variety of practice and rehearsal spaces. The Main Hall is designed as a horseshoe-shaped room reminiscent of classical theaters of the past. The main chandelier consists of hand-cast glass bars that are lit from behind with LED lights. Working with the visual artist, Pae White, led to the incredible design of the Main Theatre’s curtain. The metal cladding of the Opera’s fly tower was created in collaboration with Løvaas and Wagle.
No comments:
Post a Comment